In the eight halls of the first floor, the major schools of French art are represented from Romanticism to Post-Impressionism, while one chamber presents the art of German, Austrian and English masters. The selection presented at the lower level in the Majovszky rooms displays new endeavours from the turn of the century, allowing their national features to be studied alongside analogous artistic ideas.
The Department of Art after1800 houses paintings and sculptures – altogether some 1000 – which were produced after 1800. The 19th-century French collection, with its scope reaching from Romantism to Post-Impressionism, includes paintings by Delacroix, Corot, Courbet, Manet, Monet, Cézanne and Gauguin. Sculptures by Rodin and Maillol complete the picture of this period. Austrian Biedermeier is represented by Waldmüller’s, Amerling’s and Danhauser’s paintings. As for the German painting of the mid-19th century, one can get a taste from canvases by Leibl, Lenbach and Menzel, while Symbolism is evoked by Böcklin, Stuck and Khnopff, three important artists of this style. Paintings by Kokoschka, Slevogt, Utrillo, Severini and Chagall provide an image of the schools of the first half of the 20th century, whereas works by Albers, Vasarely, Anthony Caro and Abakanowicz allow an insight into the more recent tendencies.